BAß

DISKANT

1P 

Percussion

1P

Percussion

1 

Cor Anglais

8’

1

Flöte

8’

2  

Bourdon

16’

2

Clarinette

16’

3 

Voix Humaine

8’

3

Voix Celeste

8’

4 

Clairon

4’

4 

Flageolet

4’

5

Basson

8’

5

Hautbois

8’

6

Subbass

16’

6

Musette

16’

7

Fagot

8’

7

Fifre

8’

O

Forte

O

Forte

E

Expression

G

Grand Jeu

Pedal Bass

16’

8

Melodieflöte

8’

9 

Aeolusharfe II*

2’

9

Baryton

32

10

Violincell

16’

10

Cremona

8’

11

Bombard **

32’

11

Cor

32’

S

Sourdine

8’

C

Copula

M

Melodie

O

Forte

O

Forte

Remarks:

• White stopfaces indicate the ranks in the main chest, the horizontal chest; Pink stopfaces indicate the vertical secondary chest, above the main chest.
• The vertical chest is fitted with the Dawes Melody Attachment.
• The vertical chest is playable as a normal harmonium. It is in fact a second division without a keyboard. It is activated by the Copula stop.
• The Dawes Melody Attachement is activated by the stop Melodie in treble and Pedal Bass in the bass.
• P = Pedalbass 16 (Adds Pedalnote to bass, lowest note only of the ranks in the vertical windchest and 16' ranks (Violincell or Bombard, both C-H.)
• M = Melodie (Adds Melodieflöte 8’ to treble, highest note only !)
• Melodie attachment and Melodieflöte are two separate stops.
• Copula = couples the vertical wind chest to the keyboard.
• Aeolusharfe 2 is a double row, according to Rhiem 1887
• Forte bas en discant (pink stops, back rows)
• Forte bas en discant (white stops, front rows)
• Kniehebeln für Doppel Expression
• Kniehebel für Expression forte (Forté Expressif) (with fixation and release, see pictures)
• Transpositeur (15 keys = C-d)
• ** = According to Rhiem, Bombard is 16 in C-H and breaks to 32 at c – e1 (Rhiem, dutch editon, p. 13)
• Italic names are mechanical stops